Big Bad Wolves – shock value and comedy go hand-in-hand
Big Bad Wolves
United Channel Movies, Israel
UK Release: TBA for 2014 by Metronome Distribution
DIR Navot Papushado, Aharon Keshales
PROD Tami Leon, Chilik Michaeli, Avraham Pirchi
SCR Navot Papushado, Aharon Keshales
DP Giora Bejach
CAST Lior Ashkenazi, Tzachi Grad, Rotem Keinan, Dov Glickman, Menashe Noy
Hailed by Quentin Tarantino as the best film of the year, so far, at Busan international film festival, it’s easy to see why with the flair, punch and shock value that Big Bad Wolves brings to the table.
The film is, ultimately, a black comedy that takes you headfirst into the rather corrupt underworld of the Israeli police. However, it is also a spin on the horror film with torture scenes designed to make your jaw drop one minute, and the next, to laugh out loud. This is by no means a new experience, but there is something fresh about the way Navot Papushado and Aharon Keshales (the directors) combine horror and comedy. The horror itself, is not funny, it is overwhelmingly shocking, but it is constantly being switched on and off with unforeseen interruptions of almost burlesque value. We are bounced back and forth in our seats.
The story is quite straightforward: A reckless cop, Miki (Lior Ashkenazi), and a missing girls irate father, Gidi (Tzahi Grad), are drawn to the attention of Dror (Rotem Keinan) who they relentlessly believe is guilty of raping and beheading the girl. The pair duo up and take things into their own hands in order to find a way to extract the truth from Dror. It is the classic set-up for an acrimonious torture scene.
It is within this torture-ology that the film swims in the murky waters of good vs. evil where perspective is the only thing separating the two. You are left constantly trying to guess what the characters will do next, which keeps us tied right to the edge of our seats. This tense atmosphere infuses an air of moral superiority into the narrative. You can’t help wondering, surely there is a better way to go about this? There is also a comical play-off between the local Jews and Arab communities – a statement of change and novel friendship between the two.
The only thing lacking for me in the film was the absence of any real character development. Okay, it is not entirely necessary for the script to work as our squirming and laughing out loud soon sidetracks us. Also, part of the reason this film is so impulsive lies in the lack of back-story. However, there is also nothing to explain why Miki and Gidi are so focused on Dror, the man they are targeting as the killer. Towards the beginning, there is simply an anonymous throwaway line regarding someone alleging to have seen Dror with the child.
Big Bad Wolves is, nevertheless, beautifully crafted, from its apprehensive and muted prologue to sinisterly lit forest scenes and pronounced, sweeping camera shots of the basement corridors and walls. The film is innovative in nearly all respects, it is brimming with the unusual and it boasts a brilliant genre fare. Not since Park Chan-wook’s pictures has a director managed to maintain such a light tone whilst depicting a deeply troubling subject matter.
Watch the trailer below: