The Limelight Index: Maria Reinup – Writer/Director
Maria is a bountiful and passionate young female filmmaker from Estonia. I had the pleasure of seeing her powerful short film Mai last year at Leeds Film Festival. The film is an incredibly impressive debut and completely blew me away. Fortunately, I have been able to catch up with Maria and ask her a few questions about her passions for film and the future of the industry.
She is currently wrapping her second short film, stills from which are shown below. (Stills by Andre Visnapuu).
When did you first become interested in filmmaking?
I am not the kind, who can recall wanting to make films since their childhood. I had TV at home until I was 6, then it broke down, my hippie-father sang “hallelujah!” threw it out and I never had one again. It took me a while before I got used to the audiovisual medium. Over the course of growing up – there was three influential films and the course itself that led me into the point I realized – filmmaking is for me. The Matrix was the first film I saw on big screen, then some years later 2046, which absolutely blew me and then in a few more years I got to see Bicycle Thieves. In some odd way, seeing these three films – the possibility to bend reality (not to say the future), the vision to make paintings alive and the fact how movies can touch you – was my early film school. Meanwhile, I did every job there was – from selling diapers via phone to being a chef in Barcelona. And it was when I was living in Spain after graduating high school, that I started noticing my diary I kept at the time was filling up with ideas for clips, videos or films. Then, on the set of my first music video, I felt it, I felt the magic.
How did the idea for your short film Mai come about?
The story of Mai is a story that happened to me. I took the last bus from the suburbs of the city and there was just a friend with me on it that left after one stop. Two drug addicts entered, one of them in a really bad condition. And it was just the drug addicts and I. The bus driver did not care, nor did the people who slowly started to fill up the bus, as we were driving towards the center. I remember being there, when I had already called the ambulance, waiting for the right stop and thinking, “Really, is ignorance a bliss?” The fact how little we care… I don’t have words for this.
How did you attain distribution for your film?
In Estonia there is a quite unique deal for the short films – the professional shorts are compiled into one screening under a suitable name and then they hit the cinemas, marketing done accordingly. So for example, Mai was in the cinema together with 5 other shorts from the past 2 years. As a big production company, Allfilm, produced my short, I had not much to do with the distribution, the producer and the company took care of that. Also, they do most of the festival circulation.
What are your plans for the future as a filmmaker?
I am currently in post-production with my second short, called Mann Tanzt. This is a very different film from the themes I am usually interested in. It’s about a man who finds a glowing cube in the middle of nowhere, and when he enters it, he realizes it’s a phone booth. Also, I am writing the script for my third short, which we will hopefully shoot this autumn. It is a story about two young women meeting through couch surfing at the verge of different difficult events in their lives and those getting mixed up. Slowly, but firmly, I am developing my first feature with a wonderful co-director Anna Hints, which is a very personal film under the working title I am, if everybody likes me and a script for another feature – a revenge picture. So, that’s easy. I have no other plans than to make the films I want to do. What bliss it would be if I could make films until I die and make a living in doing so.
Do you have high prospects for the Estonian film industry?
Estonia gained its independency after the Soviet Union collapsed in the beginning of the 1990’s. Along the old system falling into pieces, we lost the handicraft and big studios that we were used to being connected with (film stock tickling the 35mm cameras, films were made year around, big productions). Not only did we have to build up our economy again, we also had to redefine our cinema – its funding systems and in a way, our cinematic language. Its about 15 years from the day our Film Foundation was established and gave out its first production grant. The system is developing and getting better, a change is thus happening, along with the fact that the generation of the Soviet titans (filmmakers who worked with Tarkovsky, or on the productions during Soviet times) is about to fade and the gap will be filled with the new generation. So the new era is almost here, but a reality check is always helpful – Estonia is a country of 1.4 million people (audience numbers equals money) and with no proper distribution system, meaning digitalized cinemas (which until today is just a few screens), distribution is not really working hand in hand with the productions.
Why is it you love films and making them?
Besides being a filmmaker, I am also a festival programmer – my job is to watch movies. With both of these positions I find myself falling in love with movies over and over again. I love everything about it – from the making of films, upon seeing one on the big screen, but why? To me there are three simple reasons for that: as a young filmmaker I sincerely and really believe that you are able to deliver a message that matters and thus might be able to change something. I see the art of escapism and the need of it. Last but not least, to either make people think or entertained, or both, is simply wonderful and above all other mediums to me.
If I ever had a super power, I’d like to time travel. Damn, dreaming of that makes me itch. In a way watching films is like scratching that itch – suddenly I can not only time travel, but I can be anything! A taxi driver or a small happy pig, see places all over the world, get introduced to different cultures, to the fears and dreams of the humankind. How is that something you don’t love?
Finally, any advice on the industry?
I will say one thing: success means hard work. And a personal touch to this – it starts to make sense when you realize that you have to really love your work first.
Below is a short teaser for Mai (unfortunately it isn’t subtitled but you will sense the urgency!)