The Guest – A delicious guilty pleasure
The Guest – US, 2014
UK Release by Icon Film Distribution – 5th September 2014
Directed by Adam Wingard
Brief Synopsis: In what is fundamentally a new spawn of Stoker, a hard-hitting solider fools a family into welcoming him into their home. The rather intense accidents that follow are no coincidence..
One may initially ponder why they bothered to make the effort, but Dan Stevens and the atypical character he plays called David will soon keep you entranced. David, at first, is presented as the lad prototype, the guy who gets all the girls and beats up the bullies, but he soon becomes far more than this, he is bound to a complexity and his presence becomes mysterious. He shows no purpose or desire; it appears that he even has to pretend to become excited when a beautiful young woman rides half-naked on top of him. Then, in an instance, the territory switches and the scales rise, although we are never quite sure what to believe and Wingard successfully lets us play with our imaginations throughout and beyond.
At times, the film reminds me of Quentin Tarantino’s work because we find ourselves connecting with an unlawful character that moves across the screen with sufficient pardon. Not to mention the outbursts of violence and borderline parody that is often adopted. The music is also explosive and dynamic in its use of sound effects that bridge the action effectively; the tone is close to becoming a pulp bonanza. There are inevitably loose areas in such a film that attempts to play its audience around, but plot holes are looped with bullets and captivating face expressions. There is a hint towards David’s real background, but it is largely bumped of as one of these experiments gone wrong; we are left to imagine and the realm of science fiction is certainly on the cards. The last shot of the film will let you decide for yourself on the latter.
Both Brendan Meyer, the awkward son of the family, and his sister, played by Maika Monroe (definitely one to watch as they say) are terrific and give the believable performances that are needed alongside the taut David. They are the necessary sounding board for the temptation and animosity that Stevens brings to David. He indulges in their affairs for better or worse and ignites in them quite a life experience to behold. It can get pretentious, but hold out as you will be entertained and this film will make you think, despite what its marketing campaign may suggest.