The Drop – There’s enough to play with
The Drop (US/2014)
UK Release by 20th Century Fox – 14th November 2014
Directed by Michaël R. Roskam
Brief Synopsis: Everyone in the neighbourhood works together to make a living. The past can be haunting and the future must be sourced at any cost, law abiding or not. Bob Saginowski finds himself entangled right at the centre after a string of unfortunate events.
There is an assuring sense of dread, morbid humour and a fine American setting for a simmering thriller: the deep of Brooklyn. This weighted tale from Dennis Lehane (we know the work must be formidable coming from the guy who wrote Mystic River and Gone, Baby Gone) is deliberately paced with a natural development of cause-effect. However, it can feel all too similar at times, and the plot can certainly dwindle depending on your viewpoint. I think the key to this film is that it is character driven, the dialogue is intriguing through its disparate layers of meaning, and that it has Tom Hardy approaching the material with absolute sensitivity and an extraordinarily convincing Brooklyn accent, especially for a born Londoner.
Although, it is not quite the memorable James Gandolfini performance I was hoping for, perhaps Hardy is too impressive; it is certainly exciting to see Hardy rise to similar heights as Gandolfini and even beyond. Whilst great actors pass, new generations continue to bring their organic insight to the field; there are more great stars in the making today (and certainly more actors lingering for the near future) than, I believe, there ever have been.
Directed by Michaël R. Roskam, in what is only his second feature, it is great to see more European sensibility come to the screen. The mood is tinged with uncooked sadness, but there is a contentment to be found in the Brooklyn low-life. Roskam directs with hope, he captures even the smallest acts and moments that give purpose to Hardy’s life. These moments creep up on us and draw to a riveting conclusion, but a conclusion that still has plenty of room left for reflection and doesn’t defy the depth of mystery under the veil of Hardy’s character, Bob.