The conclusion of this film leaves us with the deadly intention that the family is the MONSTER. By way of lies, love and human nature, a family is forced into a series of events with little way out other than the formation of trust.
The film boils with tension from the get go and releases the toxins of human antagonism to remarkable depths. Actions are fully realised with almighty blows and moral conflicts that turn the filmic landscape into a minefield of operations. Signed off with a touch from the heart, topnotch acting and the all-encompassing imagery, Sebastian Ko’s debut feature film is nothing short of first-class cinema and entertainment.
Upon deeper reflection, it is surprising how wicked the actions of these believable characters become. The spice of this is Ko’s ability to make us empathise on all levels and become wholly caught up in the conflict. The perspective that haunts each moment is constantly shifting and leading us deeper into the journey of these characters. These troubles aren’t without their laughs either. Mind games are full to the brim and hilarious in their own peculiar way. The human idiosyncrasy that is revealed in times of desperation is a key stance exploited by Ko and one that certainly calls for the occasional smirk and releasing of oomph from a tightly wound audience.
Pluto Film represents We Monsters – they do a fantastic job of treating new talent with high regard and providing a sales platform for bold and new crossover dramas – I was fortunate enough to attend their market screening in Cannes. The worldwide premiere for the film will be held at Shanghai International Film Festival taking place between 13th to the 21st June. UK Premiere to be announced shortly after.