Before I go to Sleep (UK, 2014)
UK Release by StudioCanal – 5th September 2014
Directed by Rowan Joffe
Brief Synopsis: Christine Lucas wakes up feeling exactly the same every morning: confused as to her whereabouts and believing she is still in her twenties. She is only able to store information for a day, but soon begins to seek terrifying truths in her life when her psychiatrist gives her the upper hand.
Credit is due for Nicole Kidman who continues to take on interesting and challenging roles (Grace of Monaco, The Railway Man, Stoker, The Paperboy), or rather she isn’t afraid of a bit of independent spirit. Admittedly, Grace of Monaco and The Railway Man are largely forgetful, but her elegance and depth as an actress is always current. Here we find her playing Christine who is battling with daily memory loss, a role that shows off Kidman’s effectual paranoid traits evident in The Others. It isn’t Memento and it isn’t Spellbound, but it isn’t entirely insensible either. The film leaks a steady rush of adrenaline in the viewer and will continue to trick them, even if the twist finale does come with a slight pinch of salt.
What I find most appraising is the achievement by Rowan Joffe to get this project off the ground (or quite literally the page) and boast British talent from Ben Davis’s noteworthy cinematography that plays on every axis to Melanie Oliver’s watertight editing. The project clearly had international backing with Sweden (Filmgate), France (StudioCanal) and Millennium Films in the US all packing their heat. Although, Ridley Scott’s Scott Free Productions involvement does a great deed to make this film British, or does it? Who knows, at least we get to see it over a month before the US! London is also on great show with wide-shots of the city from the Royal Observatory in Greenwich. The British weather is also heralded with rain more often than not and a remote house in the woods, where most of the action takes place, provides the complimentary backdrop; this is a thriller after all.
Whilst the film doesn’t dig deep enough to obtain a meaningful psychological existence in the viewer, it does highlight the importance of keeping a healthy brain (or mind rather) and how intolerable it must be for one without so. The condition here labels Christine as an amnesiac, in fact, this is clearly reiterated throughout, though it induces efficacious reality in the viewer more than it does frustration. Nicole Kidman and Colin Firth’s chemistry rightly demonstrates the dedication and audacity needed to live such a banishing lifestyle. Here, Colin Firth as the sinister husband of Christine, Ben, is thankfully somewhat more infusing than usual; lets just say it is more daring and the emotion far more vivid and certainly less pretentious than his abominable portrayal of Eric in The Railway Man and even more so Harry Deane in Gambit. I nevertheless, highly anticipate Firth’s role in Woody Allen’s Magic in the Moonlight, lets see if Allen can make good of him.
The plot in Before I go to Sleep thickens fast, yet one is always aware of where it will lead even if the ending is far more sentimental than I had expected; a sharper note would have brought the picture to a close with far more substance. Still, good performances on show (Mark Strong is also admirable as Doctor Nash) and a definite watch for psychological thriller fans, just don’t expect it to make any of your top ten lists.